Steve Brown - Deep Glass Printing: Image/Things - Glass Talk - 27th February 2025 5:30PM - 7PM UK time

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This talk will explore Steve Brown’s developments of deep glass printing using fine glass and other powdered materials to generate the emergence of form from patterns and imagery. Steve will discuss the approaches he has used to re-imagine and innovate printmaking technology, the context of these alternative methods, and how the print matrix can offer an ever-changing series of moments where the artist and process influence new aesthetics and meanings. 

Steve will draw in influences through a range of sources which he references with the aim to re-enchant the materials, processes, and aesthetics of our practices through storytelling, metaphor and fabulation. Alongside these contexts, process and the importance of materials will feature heavily with Steve sharing studio shots and moving image in order to engage the audience with the tacit dimension of the making of his unique glass artworks.

You can view more of Steve's work here: www.steveroystonbrown.com


Steve Brown

Dr Steve Brown is Senior Tutor on the Ceramics & Glass programme at the Royal College of Art and member of the Material Engagements Research Cluster (MERC). As an artist, researcher & educator his creative practice centres on ceramic & glass printmaking, through which he combines image and form into dialogues, the result of which he currently calls image-things. He explores ambiguous, emergent, transmutative methods and is fascinated by the materiality and physicality of image-making. His works draw themes from altered states and hybridity, natural processes of change and the cosmic alchemy of materials, alongside transformation in fiction and fabulation.

Steve Brown

Dr Steve Brown is Senior Tutor on the Ceramics & Glass programme at the Royal College of Art and member of the Material Engagements Research Cluster (MERC). As an artist, researcher & educator his creative practice centres on ceramic & glass printmaking, through which he combines image and form into dialogues, the result of which he currently calls image-things. He explores ambiguous, emergent, transmutative methods and is fascinated by the materiality and physicality of image-making. His works draw themes from altered states and hybridity, natural processes of change and the cosmic alchemy of materials, alongside transformation in fiction and fabulation.